Serbian Storms

I spent 4 days in Serbia, and when I say Serbia, what I really mean is under an umbrella in Belgrade. It was raining when I arrived at 6:30 am,  and I hadn’t expected to arrive so early. I took an overnight train from Hungary, which left on time and arrived on time, despite the slow border crossing. My couchsurf host hadn’t expected me on time either, so i stood shivering under cover til he found me, took me home, and tucked me in, where I finally got some dry, warm, rest. I had left Hungary in a storm, but thought I had left the bad weather, and a small ray of sunshine even broke through that afternoon. We drank dark beers in the sun on the Danube river bank, and then retreated to teenage public drinking in a grassy park with a Canadian rockstar named Eric (who I also found on couchsurfing). But, since all good things must come to an end, it then rained constantly for nearly 3 days. And I don’t just mean some slight sprinkling, Vancouver-grey kinda rain – I mean torrential downpour, streets-turned-into-rivers kinda rain.

the only sun I saw in Serbia

the only sun I saw in Serbia

I spent an entire day couped up in my couchsurfers apartment, shivering only from the sound of the wind and rain outside. I tried to leave the house, but within 100 m of the bus stop, my umbrella had inverted, wind was blowing at me sideways, and I couldn’t see well enough past the rain being thrown at my face to avoid the buddles, so the socks inside my waterproof boots were also wet. I returned back home, defeated and soaked. I stayed huddled and cuddled inside, as the walls started station – the leaks through the roof had started to seep in and drip down the stairs. I had tickets to the opera, one of the most preformed operas in history but still I’d never seen it, so I had to make it. The Serbian Opera company was performing L’elisir d’amore, and the tiny National theatre seemed like the perfect place to see it. It was performed in Italian and dubbed in Cyrillic Serbian, so I didn’t understand much, but for less than 2 euros for a 2nd balcony seat, I had no complaints. It was a splendid, entertaining evening, and I even indulged in a seat for my couchsurf host, who could only sit in it for half of one act.

Serbian Philharmonic band

Serbian Philharmonic band

The next night we watched the Serbian Philharmonic preform Bach’s Mass in B minor. It was also staged at a small, intimate, theatre, but not as showy or comfortable. The seat rows weren’t spaced far enough apart for even me to sit straight, let alone your average guy, and they kept all the lights on in the hall. It may have been because the Serbian Radio and TV was broadcasting it, but then the symphony and choir made lots of little mistakes. People walked in and out of the performance without any door locks, and again the seats we paid 3 euros for were actually worth double that, since there was noone sitting in the front-n-center expensive seats. But wearing informal clothes or wet jeans were a perfect occasion to seek shelter from the storm, so it makes sense the kind of crowd that fills a room of  €3-6 seats. The guy who sold me the opera tickets smoked a cigarette while he did it, coat check was free at the opera and the symphony, and the drinks that you could buy cost only  €1 or  €2, so in many ways, the music and arts scene was 10 years behind the rest of Europe. But, in other ways, Belgrade was very forward compared to the rest of Europe. The conductor for the opera’s orchestra was female, and the crowd attending both shows was much younger than the average age of 60 (which it was in Paris). 

waiting for a bus in the rain

waiting for a bus in the rain

 

We took home one of the very tech-forward buses (which no-one likes to pay for in Belgrade) but they do have amazing, frequent, 24 hour service and a no-touch pay system with an electronic announcement system (very helpful if you don’t know where you’re going or coming from). The rain kept falling, and eventually the roads started to close, from flooding and landslides, so long-distance buses stopped running and I considered a new life in Belgrade… not knowing when I’d leave. Buses to Bosnia were cancelled for 2 days, but after 4 hours at the bus station, I got on one to Zagreb.

Classical Music is food for my soul

I love watching the symphony play because every time I see classical music performed live, I feel soul-fed. It´s like some inexplicable therapy session that totally destresses me, and as I enjoy all that alone time to think and digest my day, my life, the future, I actually feel calm inside instead of pressured or worried. Its probably one of the few times where I´m actually not daydreaming about travel, and instead totally infatuated with the lead violinist or the piano soloist.

In the last few weeks I´ve had some good soul food servings, and nicely varied with 3 different symphonies and one church choir. In March I watched the San Francisco Symphony play at Davies Hall in downtown San Fran and just the venue itself already creates a reverent atmosphere preparing you for the meditative experience you´re about to have. The soloist was a Swedish mezzo-soprano, Anne Sofie von Otter, who sang a Brahms serenade and a selection of Scandinavian songs. Taking in the view from the 3rd floor balcony over Civic Center and Van Ness Avenue during intermission is an important part of the Davies Hall experience, as is being the one of the youngest people there by 40 years.

A few weeks later I watched the Vancouver Symphony Orchestra play a Russian-themed concert matinee at the Orpheum. This is an extraordinary venue only from the inside since there´s almost no way to know which building the performance hall is actually in from busy Granville street. Indie musicians, rock bands and jazz artists all share this stage, and besides the symphony I´ve seen Nina Simone,  David Gray and Sigur Ros all play the Orpheum, but still the symphony best suits the building decor. A classy afternoon with my family listening to Rachmaninoff symphony no. 2 and some Prokofiev had me daydreaming about Rachmaninoff´s piano concerto that was meant to be played but somehow got switched.

Since being back in Iceland, I took advantage of one of the last symphonies to be plaid by the Icelandic Symphony Orchestra at the University of Iceland since they are going to be housed at the brand-new, world renound Harpa Concert Hall opening next month in the Reykjavik downtown. Its located in the harbour literally ontop of the ocean with beautiful views and an unbelievable performance hall. But, for now, they play at the movie theatre with mediocre acoustics and uncomfortable seats, but tickets are only 1700kr for students and an all-Tchaikovsky program still impressed. It was conducted by a very flamboyant, 50-something year old Swedish guy, famous for being a trombone virtuoso, but will forever be remembered as the conductor in way-too-tight pants and a purple satin, bamboo print, made-in-China blouse that he managed to totally sweat through as he jumped and danced his whole way through the program with more energy than everyone else in the house combined. The program opened with Capriccio Italien, followed by Tchaikovsky´s violin concerto performed by the very young, Armenian Mikhail Simonyan who later joined the 5th violinists to sight-read through Symphony number 5.

the organ at Hallgrimskirkja

The most spiritual soul food I´ve had lately is definitely listening to the Hallgrims Church Choir sing a Bach program for passover/easter. Hallgrimskirkja is a typical protestant church with no decorations and a hollow, concrete interior that gives the choir an even more angelic sound. The natural acoustics, the epic organ, and the sun rays shining in through the windows giving each choir member its own halo make everything come together for the sweetest sound, and the experience of listening to all this with a live orchestra and a few soloists singing the story of Jesus´death are bound to bring you either to peace, to tears, or a little chat with God.